Virtual Reality Puts Viewer in the Movie at CannesWhat if you may each watch a movie and be a person in it: perhaps an lively bunny preventing off ineptaliens or a humanoid robot struggling with its identification?

virtual truth (VR) – which is revolutionising the whole thing from gaming to surgical treatment and porn – is doing this so successfully that it secured a unique slot at the world‘s gold standard film pageant in Cannes this yr where dozens of VR films are being shown.

Filmmakers say the generation is transferring so speedy they could slightly hold up. they’re having tostyle homemade cameras and parent out how to make their work reachable to a much broader public.

it’s far like right at the beginning of film, but it’s far going to transport very, very quickly,” said Vincent Leclercq of France’s national Centre of Cinematography.

The technology has drawn large names like Madagascar director Eric Darnell teaming up with actor Ethan Hawke who narrates the six-minute VR animated film Invasion, which turned into screened in Cannes on Monday.

visitors discover themselves standing in the lively universe of a white fluffy rabbit which manages to outwittwo incompetent extraterrestrial beings who have come to take over the sector.

Darnell instructed AFP the concept came from the unique technology fiction alien invasion conventionalbattle of the Worlds where the extraterrestrials struck him as “bumbling and not that scary“.

“The factor that makes it simply unique from cinema is that … it clearly makes for a totally exceptionalenjoy for the viewer to have that bunny arise and appearance you in the attention and well known your presence.”

As he speaks laughter breaks out as a lady nearby trying out the movie with a headset on lifts up her armsand tries to stroll off while linked to a computer.

while the visitors appearance down they see they’ve a rabbit’s body, and Darnell said the reaction iscommonplace.

it’s miles definitely type of magical,” he said.

And animation changed into the appropriate match for digital fact.

we all have quite high expectations for reality, so that you begin to see pixels and all of the things that make it no longer real. however with animation you simply suspend your disbelief,” Darnell said.

Philip ok. Dick robot
another movie screened in Cannes became the French production I, Philip, based totally on a real taleround technological know-how fiction creator Philip okay. Dick whose work inspired Blade Runner and Minority report.

In homage to the writer who died in 1982, scientists in 2005 used his face on an synthetic Intelligencerobotic who turned into programmed with beyond interviews with the writer and could keep acommunication as him.

but in a science fiction-like twist that Dick ought to have written, the robot head disappeared after being left on an plane in 2006, in no way to be seen again.

inside the 14-minute VR movie, the viewer is the robotic looking to making experience of its truth as it isswitched on to bear interviews with awed humans.

There also are flashbacks to human memories and in a single stressful scene the viewer is Philip, lying in a clinic bed at the same time as a girl holds his hand crying.

producer Antoine Cayrol informed AFP that considered one of the largest challenges in VR moviesbecome scriptwriting, which required “a bit manipulation”.

because you are running in 360 stages the real problem when it comes to writing is making the viewerlook in which you want him to look.

this is done with simple tricks like a slamming door in the historical past making you turn round, or an arm motion directing the viewer’s eye.

He stated the team at his Okio movie studio had dancers help them with motion choreography and sound engineers to help with writing.

the opposite mission is that … we should construct the digicam. it’s far very artisanal, we take cameras and stick them again to lower back,” he stated.

“Filming I, Philip, we had a bag of ice on the camera the complete time,” to save you it from overheating.

still getting to know
these brief VR films are to be had in application stores, however Cayrol stated that get right of entry toto the movies becomethe biggest undertaking we are facing proper now.”

highquit VR headsets like the Oculus Rift or HTC Vive nonetheless value loads of euros.

And Cayrol admits that the less expensive fashions like the Samsung equipment which he used to showhis movie in Cannes, do no longer have a perfect photo exceptional.

the sector‘s first specialised VR cinema opened in Amsterdam closing month and Leclerq of the French cinematic frame stated plans were underneath manner to construct one in Paris.

we’re on this alternatively precise phase where introduction is transferring quicker than distribution,” he stated.

VR films are round 10 minutes long and Darnell stated it became too quickly to do a featuredurationmovie.

“VR is virtually hard, we don’t know the language yet, we are all mastering, he said.

i am sure in a few years we are able to appearance back at those instances whilst we’ve got theselarge bins on our faces and we can giggle at the ones funny old days of VR.

i’m certain you may not ought to put on a headset in any respect. perhaps it will simply be a couple of glasses — the new technology is moving so quick.”

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Tags: Apps, Cannes 2016, Cannes movie festival 2016, home leisure, HTC Vive, Oculus Rift, digital reality, VR, Wearables